o Rio

vi The River, Jean Renoir em 1951, e ainda em dúvida porque surge em primeiro lugar na lista de Pedro Costa. ("When a lawn was not green enough, the director had it painted a darker color of green", na wiki). a página na Criterion. "After Renoir would come Roberto Rossellini in 1959 (although with elephants and a tiger in his documentary India), followed later by Louis Malle, Ismail Merchant and James Ivory, and Richard Attenborough", uma frase-"pequena história da Índia no cinema", no artigo de Ian Christie sobre este Rio. "Later Eric Rohmer would write of “the most beautiful color we have ever seen on the screen.”", de outro artigo na Criterion. o que mais gostei, todas as imagens de barcos e da fábrica de juta. as embarcações com coberturas gigantescas, igloos enormes de juta e canas, habitação da família, a cor do rio. e a dança de casamento de Rahda, 'para expressar o seu amor'. ("Unintentionally, The River had become an early example of the dissolution of plot critics would hail ten years later in L’avventura", do mesmo artigo). "The River" and Michael Powell's "The Red Shoes" are "the two most beautiful color films ever made," Martin Scorsese says in an interview on the new Criterion DVD of the restored print. I saw the movie for the first time when Scorsese's personal 35mm copy played at the Virginia Film Festival some years ago; when I mentioned it to him, he said, "I watch that film three times a year. Sometimes four.", conta Ebert. chama-se Rangoli, a pintura de chão com pasta de arroz branca.