Revisiting my All 55 African countries project, I've decided to visit Botswana, a country I know almost nothing about, except that it has something to do with South Africa. Of course this is easily corrected, just visit the CIA Factbook and the Lonely Planet websites and you'll have an idea.
Searching for artist, I was totally surprised by the amazing cultural richness of Botswana and when I found the Kuru Kalahari website I knew I had to bring it here. The artwork is great, and the ideas behind this incredible group of artists are all I believe in. It was actually very difficult to choose a painting to post here because I liked them all, but one had to be elected so I chose this "Secretary Bird eating a snake and Kori Bastard" by Thamae Setshogo.
Below I include a beautiful text about the Kuru Kalahari project, a website I strongly recommend and a small bio of Thamae Setshogo.
About the Kuru Kalahari project:
"They say it is our ancestors who made the many rock paintings all over southern Africa. I believe it, although I have seen only some of these many paintings. The ones that I have seen illustrate things that I know so well from our culture. Yes I believe the San* made it. I feel it in my body. I do not see myself as just another artist. Being an artist is my heritage. It is part of my existence, as being Ncoakhoe (Bushmen) is part of my existence. I am very serious about my tradition and my culture. I cannot understand why people who do not care for tradition can be an artist, because that is what it is all about. Even in the times when there were no rocks for our people to paint on, they had to satisfy their artistic skills. They made beautiful beadwork designs from ostrich eggshells and wooden beads, and later, when it became available, they also used the brightly coloured glass beads. They carved beautiful things from wood, which they decorated with burnt patterns.
Yes, the main reason for me to paint is to show the world the things that my people and I love. It is a way of making a living, but more than that - it is to show other people who we are and how we live. It is also a way of learning. Through art you learn about new techniques, about other cultures, about how other people think and live. It lifts you out from the darkness."
DADA (Coex'ae Qgam) January 2000
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Bio of Thamae Setshogo
Thamae was born late 1960’s early 1970’s in the Ghanzi district. He grew up on a farm on the edge of the central Kalahari game reserve, where his parents worked as farm labourers. At a very young age he learned the ins and outs of farm work and the secrets in the wild. In 1991 he joined the Kuru Art Project. He started working with acrylic on board, but soon changed to oil on canvas. He works mostly in smooth flat planes with colours that complete each other. Another technique that suits his style well is the lino printmaking. An outstanding feature of his art is the almost always symmetric compositions. Very sensitive to details, he depicts small incidences and creatures in nature (like waterinsects) which are often being looked over by other artists. He has no preference for materials, but enjoys using them all. Other than all the other Kuru artists he prefers slightly muted colours and does not always use great colour contrasts. For subject matter, he prefers animals above all. He loves to see them coming alive in his art.
He became famous for his large black and white lino prints. His subject matters are simplified so that they become almost abstract. He always works direct from memory without any preliminary sketches.
Thamae is not afraid to experiment in different material. In 1997 he received a commission to make a large relief wall panel for the Princess Marina Hospital in Gaborone. Since he also loves woodcarving he created a beautiful panel with layers of carved wood combined with paint. During the same year he also painted a large mural at the Return of the Moon exhibition at the National Museum in Windhoek, Namibia.
With the assistance of the Artists’ Press in Johannesburg, South Africa he made several lithographs. He was one of four Kuru artists to take part in a lithography workshop on the theme of the trickster at the Tamarind Institute at Albuquerque, New Mexico.
He also attended several of the Thapong International Artists' workshops in Botswana and an international workshop in Australia. Thamae is one of the most well-known and famous artists in Botswana. He received several awards at the Artists' exhibitions in Botswana. Becoming an artist was nothing new to him. It has always been there with him. He always loved to make beautiful things with his hands and loved to learn new ways of making things. Without any formal schooling, he feels that his art has given him a chance in life. Through his art, he became recognised as an individual. For him his art is the link between the past, the present and the future.
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