light gazing, ışığa bakmak

Saturday, April 18, 2009

de outro lado

com obrigados à Poesia Incompleta. (por esta tradução é que não respondo, sendo também caso para dizer que a dona do blogue não subscreve as ideias expressas neste texto. sempre desconfiei do futurismo, essa é a verdade.)

“Manifesto of Futurist Woman (Response to F. T. Marinetti)”
Valentine de Saint -Point
1912

We will glorify war—the world's only hygiene—militarism,
patriotism, the destructive gesture of freedom-bringers, beautiful
ideas worth dying for, and scorn for woman.
Marinetti "The Founding and Manifesto of Futurism"

Humanity is mediocre. The majority of women are neither superior nor inferior to the majority of men. They are all equal. They all merit the same scorn. The whole of humanity has never been anything but the terrain of culture, source of the geniuses and heroes of both sexes. But in humanity as in nature there are some moments more propitious for such a flowering. In the summers of humanity, when the terrain is burned by the sun, geniuses and heroes abound.

We are at the beginning of a springtime; we are lacking in solar profusion, that is, a great deal of spilled blood. Women are no more responsible than men fo r the way the really young, rich in sap and blood, are getting mired down. It is absurd to divide humanity into men and women. It is composed only of femininity and masculinity. Every superman, every hero, no matter how epic, how much of a genius, or how powerful, is the prodigious expression of a race and an epoch only because he is composed at once of feminine and masculine elements, of femininity and masculinity: that is, a complete being.

Any exclusively virile individual is just a brute animal; any exc lusively feminine individual is only a female. It is the same way with any collectivity and any moment in humanity, just as it is with individuals. The fecund periods, when the most heroes and geniuses come forth from the terrain of culture in all its ebullience, are rich in masculinity and femininity.

Those periods that had only wars, with few representative heroes because the epic breath flattened them out, were exclusively virile periods; those that denied the heroic instinct and, turning toward the past, annihilated themselves in dreams of peace, were periods in which femininity was dominant.

We are living at the end of one of these periods. What is most lacking in women as in men is virility. That is why Futurism, even with all its exaggerations, is right. To restore some virility to our races so benumbed in femininity, we have to train them in virility even to the point of brute animality. But we have to impose on everyone, men and women who are equally weak, a new dogma of energy in order to arrive at a period of superior humanity.

Every woman ought to possess not only feminine virtues but virile ones, without which she is just a female. Any man who has only male strength without intuition is only a brute animal. But in the period of femininity in which we are living, only the contrary exaggeration is healthy: we have to take the brute animal for a model. Enough of those women whose "arms with twining flowers resting on their laps on the morning of departure" should be feared by soldiers; women as nurses perpetuating weakness and age, domesticating men for their personal pleasures or their material needs! ... Enough women who create children just for themselves, keeping them from any danger or adventure, that is, any joy; keeping their daughter from love and their son from war! ... Enough of those women, the octopuses of the hearth, whose tentacles exhaust men's blood and make children anemic, women in carnal love who wear out every desire so it cannot be renewed!

Women are Furies, Amazons, Semiramis, Joans of Arc, Jeanne Hachettes, Judith and Charlotte Cordays, Cleopatras, and Messalinas: combative women who fight more ferociously than males, lovers who arouse, destroyers who break down the weakest and help select through pride or despair, "despair through which the heart yields its fullest return:' Let the next wars bring forth heroines like that magnificent Catherine Sforza, who, during the sack of her city, watching from the ramparts as her enemy threatened the life of her son to force her surrender, heroically pointing to her sexual organ, cried loudly: "Kill him, I still have the mold to make some more!"

Yes, "the world is rotting with wisdom," but by instinct, woman is not wise, is not a pacifist, is not good. Because she is totally lacking in measure, she is bound to become too wise, too pacifist, too good during a sleepy period of humanity. Her intuition, her imagination are at once her strength and her weakness. She is the individuality of the crowd: she parades the heroes, or if there are none, the imbeciles.

According to the apostle, the spiritual inspirer, woman, the carnal inspirer, immolates or takes care, causes blood to run or staunches it, is a warrior or a nurse. It's the same woman who, in the same period, according to the ambient ideas grouped around the day's event, lies down on the tracks to keep the soldiers from leaving for the war or then rushes to embrace the victorious champion.

So that is why no revolution should be without her. That is why, instead of scorning her, we should address her. She's the most fruitful conquest of all, the most enthusiastic, who, in her turn, will increase our followers. But no feminism. Feminism is a political error. Feminism is a cerebral error of woman, an error that her instinct will recognize. We must not give woman any of the rights claimed by feminists. To grant them to her would bring about not any of the disorders the Futurists desire but on the contrary an excess of order.

To give duties to woman is to have her lose all her fecundating power. Feminist reasonings and deductions will not destroy her primordial fatality: they can only falsify it, forcing it to make itself manifest through detours leading to the worst errors. For centuries the feminine instinct has been insulted, only her charm and tenderness have been appreciated. Anemic man, stingy with his own blood, asks only that she be a nurse. She has let herself be tamed. But shout a new message at her, or some war cry, and then, joyously riding her instinct again, she will go in front of you toward unsuspected conquests.

When you have to use your weapons, she will polish them. She will help you choose them. In fact, if she doesn't know how to discern genius because she relies on passing renown, she has always known how to rewarm the strongest, the victor, the one triumphant by his muscles and his courage. She can't be mistaken about this superiority imposing itself so brutally.

Let woman find once more her cruelty and her violence that make her attack the vanquished because they are vanquished, to the point of mutilating them. Stop preaching spiritual justice to her of the sort she has tried in vain. Woman, become sublimely injust once more, like all the forces of nature! Delivered from all control, with your instinct retrie ved, you will take your place among the Elements, opposite fatality to the conscious human will. Be the egoistic and ferocious mother, jealously watching over her children, have what are called all the rights over and duties toward them, as long as they physically need your protection.

Let man, freed from his family, lead his life of audacity and conquest, as soon as he has the physical strength for it, and in spite of his being a son and a father. The man who sows doesn't stop on the first row he fecunds. In my Poems of Pride and in Thirst and Mirages, I have renounced Sentimentalism as a weakness to be scorned because it knots up the strength and makes it static. Lust is a strength, because it destroys the weak, excites the strong to exert their energies, thus to renew themselves. Every heroic people is sensual. Woman is, for them, the most exalted
trophy.

Woman should be mother or lover. Real mothers will always be mediocre lovers, and lovers, insufficient mothers, through their excess. Equal in front of life, these two women complete each other. The mother who receives the child makes the future with the past; the lover gives off desire, which leads toward the future.

LET'S CONCLUDE:
Woman who retains man through her tears and her sentimentality is inferior to the prostitute who incites her man, through braggery, to retain his domination over the lower depths of the cities with his revolver at the ready: at least she cultivates an energy that could serve better causes.

Woman, for too long diverted into morals and prejudices, go back to your sublime instinct, to violence, to cruelty. For the fatal sacrifice of blood, while men are in charge of wars and battles, procreate, and among your children, as a sacrifice to heroism, take Fate's part. Don't raise them for yourself, that is, for their diminishment, but rather, in a wide freedom, for a complete expansion.

Instead of reducing man to the slavery of those execrable sentimental needs, incite your sons and your men to surpass themselves. You are the ones who make them. You have all power over them. You owe humanity its heroes. Make them!


:.....

“Futurist Manifesto of Lust”
Valentine de Saint -Point

A reply to those dishonest journalists who twist phrases to make the Idea seem ridiculous;
to those women who only think what I have dared to say; to those for whom Lust is still nothing but a sin; to all those who in Lust can only see Vice, just as in Pride they see only vanity.

Lust, when viewed without moral preconceptions and as an essential part of life’s dynamism, is a force.

Lust is not, any more than pride, a mortal sin for the race that is strong. Lust, like pride, is a virtue that urges one on, a powerful source of energy.

Lust is the expression of a being projected beyond itself. It is the painful joy of wounded flesh, the joyous pain of a flowering. And whatever secrets unite these beings, it is a union of flesh. It is the sensory and sensual synthesis that leads to the greatest liberation of spirit. It is the communion of a particle of humanity with all the sensuality of the earth.

Lust is the quest of the flesh for the unknown, just as Celebration is the spirit’s quest for the unknown. Lust is the act of creating, it is Creation.

Flesh creates in the way that the spirit creates. In the eyes of the Universe their creation is equal. One is not superior to the other and creation of the spirit depends on that of the flesh.

We possess body and spirit. To curb one and develop the other shows weakness and is wrong. A strong man must realize his full carnal and spiritual potentiality. The satisfaction of their lust is the conquerors’ due. After a battle in which men have died, it is normal for the victors, proven in war, to turn to rape in the conquered land, so that life may be re-created.

When they have fought their battles, soldiers seek sensual pleasures, in which their constantly battling energies can be unwound and renewed. The modern hero, the hero in any field, experiences the same desire and the same pleasure. The artist, that great universal medium, has the same need. And the exaltation of the initiates of those religions still sufficiently new to contain a tempting element of the unknown, is no more than sensuality diverted spiritually towards a sacred female image.

Art and war are the great manifestations of sensuality; lust is their flower. A people exclusively spiritual or a people exclusively carnal would be condemned to the same decadence—sterility.

Lust excites energy and releases strength. Pitilessly it drove primitive man to victory, for the pride of bearing back a woman the spoils of the defeated. Today it drives the great men of business who run the banks, the press and international trade to increase their wealth by creating centers, harnessing energies and exalting the crowds, to worship and glorify with it the object of their lust. These men, tired but strong, find time for lust, the principal motive force of their action and of the reactions caused by their actions affecting multitudes and worlds.

Even among the new peoples where sensuality has not yet been released or acknowledged, and who are neither primitive brutes nor the sophisticated representatives of the old civilizations, woman is equally the great galvanizing principle to which all is offered. The secret cult that man has for her is only the unconscious drive of a lust as yet barely woken. Amongst these peoples as amongst the peoples of the north, but for different reasons, lust is almost exclusively concerned with procreation. But lust, under whatever aspects it shows itself, whether they are considered normal or abnormal, is always the supreme spur.

The animal life, the life of energy, the life of the spirit, sometimes demand a respite. And effort for effort’s sake calls inevitably for effort for pleasure’s sake. These efforts are not mutually harmful but complementary, and realize fully the total being.

For heroes, for those who create with the spirit, for dominators of all fields, lust is the magnificent exaltation of their strength. For every being it is a motive to surpass oneself with the simple aim of self-selection, of being noticed, chosen, picked out.

Christian morality alone, following on from pagan morality, was fatally drawn to consider lust as a weakness. Out of the healthy joy which is the flowering of the flesh in all its power it has made something shameful and to be hidden, a vice to be denied. It has covered it with hypocrisy, and this has made a sin of it.

We must stop despising Desire, this attraction at once delicate and brutal between two bodies, of whatever sex, two bodies that want each other, striving for unity. We must stop despising Desire, disguising it in the pitiful clothes of old and sterile sentimentality.

It is not lust that disunites, dissolves and annihilates. It is rather the mesmerizing complications of sentimentality, artificial jealousies, words that inebriate and deceive, the rhetoric of parting and eternal fidelities, literary nostalgia—all the histrionics of love.

We must get rid of all the ill-omened debris of romanticism, counting daisy petals, moonlight duets, heavy endearments, false hypocritical modesty. When beings are drawn together by a physical attraction, let them—instead of talking only of the fragility of their hearts—dare to express their desires, the inclinations of their bodies, and to anticipate the possibilities of joy and disappointment in their future carnal union.

Physical modesty, which varies according to time and place, has only the ephemeral value of a social virtue.

We must face up to lust in full conciousness. We must make of it what a sophisticated and intelligent being makes of himself and of his life; we must make lust into a work of art. To allege unwariness or bewilderment in order to explain an act of love is hypocrisy, weakness and stupidity.

We should desire a body consciously, like any other thing.

Love at first sight, passion or failure to think, must not prompt us to be constantly giving ourselves, nor to take beings, as we are usually inclined to do so due to our inability to see into the future. We must choose intelligently. Directed by our intuition and will, we should compare the feelings and desires of the two partners and avoid uniting and satisfying any that are unable to complement and exalt each other.

Equally conciously and with the same guiding will, the joys of this coupling should lead to the climax, should develop its full potential, and should permit to flower all the seeds sown by the merging of two bodies. Lust should be made into a work of art, formed like every work of art, both instinctively and consciously.

We must strip lust of all the sentimental veils that disfigure it. These veils were thrown over it out of mere cowardice, because smug sentimentality is so satisfying. Sentimentality is comfortable and therefore demeaning.

In one who is young and healthy, when lust clashes with sentimentality, lust is victorious. Sentiment is a creature of fashion, lust is eternal. Lust triumphs, because it is the joyous exaltation that drives one beyond oneself, the delight in posession and domination, the perpetual victory from which the perpetual battle is born anew, the headiest and surest intoxication of conquest. And as this certain conquest is temporary, it must be constantly won anew.

Lust is a force, in that it refines the spirit by bringing to white heat the excitement of the flesh. The spirit burns bright and clear from a healthy, strong flesh, purified in the embrace. Only the weak and sick sink into the mire and are diminished. And lust is a force in that it kills the weak and exalts the strong, aiding natural selection.

Lust is a force, finally, in that it never leads to the insipidity of the definite and the secure, doled out by soothing sentimentality. Lust is the eternal battle, never finally won. After the fleeting triumph, even during the ephemeral triumph itself, reawakening dissatisfaction spurs a human being, driven by an orgiastic will, to expand and surpass himself.

Lust is for the body what an ideal is for the spirit—the magnificent Chimaera, that one ever clutches at but never captures, and which the young and the avid, intoxicated with the vision, pursue without rest.

Lust is a force.

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