the leaver-outer and the putter-inner

"Thomas Wolfe wrote in a letter to F. Scott Fitzgerald, who had been badgering him about his lack of economy and form: “Don't forget, Scott, that a great writer is not only a leaver-outer but also a putter-inner, and that Shakespeare and Cervantes and Dostoevsky were great putter-inners—greater putter-inners, in fact, than taker-outers and will be remembered for what they put in—remembered, I venture to say, as long as Monsieur Flaubert will be remembered for what he left out.” (From The Crack-Up.)"
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Differing from either method is the impressionism of such a writer as Anton Chekhov, who said, “You will get the full effect of a moonlight night if you write that on the mill-dam a little glowing star-point flashed from the neck of a broken bottle, and the round, black shadow of a dog, or a wolf, emerged and ran.” In that same impressionist manner, Stephen Crane carries the reader along with a fatally wounded soldier walking to some quiet place to die. The whole passage is like a prolonged silent scream, and it ends with a single staring phrase: “The red sun was pasted in the sky like a wafer.”

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do artigo Creative Writing na Britannica dos estudantes