"It is reasonable to assert that Jay Gatsby was the major literary character of the United States in the twentieth century. No single figure created by Faulkner or Hemingway, or by our principle dramatists, was as central a presence in our national mythology as Gatsby. There are few living Americans, of whatever gender, race, ethnic origin, or social class, who do not have at least a little touch of Gatsby in them. Whatever the American Dream has become, its truest contemporary representative remains jay Gatsby, at once a gangster and a Romantic idealist, and above all a victim of his own High Romantic, Keatsian dream of love. Like his creator, Scott Fitzgerald, Gatsby is the American hero of romance, a vulnerable quester whose fate has the aesthetic dignity of the romance mode at its strongest. Gatsby is neither pathetic nor tragic, because as a quester he meets his appropriate fate, which is to die still lacking in the knowledge that would destroy the spell of his enchantment. His death preserves his greatness, and justifies the title of his story, a title that is anything but ironic."
Harold Bloom em Jay Gatsby, here.
light gazing, ışığa bakmak
Wednesday, October 27, 2010
Jay Gatsby
Publicado por Ana V. às 9:17 PM
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8 comments:
pathetic optimism at times,ha´outras leituras sobre a obra com que concordo mais
gatsby era entre outras coisas um dignified dummy e um voyeur .O seu criador um eterno misfit .american hero for sick people ?
o mais torturado e genial escritor da sua geração ,um misfit que criou um self made misfit .
"it s a perfect example for a sad and tragic fairy tale"
"is a satire of the american dream "
era para ter outro título...
puppet figure ,great and noble fool ...
GREAT----a figure in a sideshow - a freak -a carnival iddity.no irony indeed....
oddity
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