James Welling

Agony (1981) e a série de tecidos ou os unique photograms.
aqui

"DG So your work is a documentation of your behavior, and the photographs become about what you’re looking at. By extension, then, there’s nothing for viewers to ascribe a narrative to other than their own reaction to what they’re looking at, which is what you were looking at. There’s no other player, no other subject: it’s just the picture, the view and the viewer. I’m wondering how conscious you are of setting that up and what you are looking to push. People think of your work as very formal and cool, but I’ve been getting other feelings from looking at it.

JW Charlotte Rampling gave an interview in which she talks about how she has no idea what’s she’s doing with her face or her body when she’s acting. There’s that sense that she’s completely outside herself. I often feel that way when I make a photograph. I prefer photographing emotional things. Maybe they don’t appear emotional at first glance… On the other hand, I do like to control things, and that’s probably the formal aspect that you mention."

entrevista, aqui na Bomb.

que corta tanto como a Balibar de Pedro Costa.