imagens

que contam uma longa história, fascinantes as imagens Traces de Ruth Rosengarden. de como uma palavra altera por completo o olhar. neste caso, ganha-se uma vertigem de tempo -- viajar a grande velocidade, estar num local muito alto a olhar para baixo, virar uma esquina na semi-escuridão. {my kid started to write a book, it's a mystery}

--

"In 1953, André Malraux published Le Musée Imaginaire, translated into English as The
Museum without Walls. Malraux had in mind the ways in which photography and print
afforded individuals the possibility of constituting private, imaginary museums
through the juxtaposition of reproduced images, thus both stretching and
problematising the idea of the museum. And since the advent of conceptual art in the
1970s, there has been a growing number of artists whose work, rather than remaining
within the neat confines of the ‘art object’ whose passive destination was the museum,
began to interrogate the tenets of museology itself. They did so by stepping out of
institutional spaces into the outdoors, but also by querying, in their works, the ethical,
social and economic contexts of museums. In other words, for an increasingly broad
array of artists, the museum gradually became not only a destination, but also a topic,
not only monument, but also shrine and mausoleum." daqui

Ruth Rosengarten no artigo sobre a exposição The Museum as Muse, a ver aqui.