olhar

"If we were watching a film that had reached its climax, or some news story that we found particularly gripping, I took great pleasure in tracking Füsun's expressions; in the subsequent days and months my memory of the images on the screen would merge with that of the expression on her face. (...) The deepest, strangest, and most stirring memories of scenes watched during the eight years at the Keskin's dinner table are indelibly marked with corresponding images of Füsun. My fluency at reading her expressions reached the  point where I could look at her from the corner of my eye and deduce with remarkable accuracy what was happening on television, even if I had been paying no attention to the screen".
Pamuk em The Museum of Innocence, não sei se antes de Sirin ou depois.